Marilyn's last name is Whirlwind she dances at the talent show and plays piano.An old judge married Wayne and Shelly after a hockey game and they had a couple of beers.Maurice, Wayne, and Shelly are in a generic western. Joel and Chris act out Midnight Cowboy ("I'm crossing here!").The episode name is word play of the 1989 film Sex, Lies, and Videotape." A Kiss to Build a Dream On" by Louis Armstrong." I'll See You in My Dreams" by Giant."Ragtime Roy" ("Southbound Road"?) by Roy Book Binder (?)." The Girl from Ipanema" by Buddy DeFranco/Tommy Gumina.Maggie (to Rick): Let me tell you something, buster, you might not be dying, but you're gone. Shelly (to Holling): Cuz, if I can't count on you when something as piddly as a husband pops up, what happens when the really big stuff hits? Holling (to Joel): You mean to tell me her nipples are hard as sapphire, she's eating like two horses, her breasts are growing by leaps and bounds, and she's not pregnant?
#Season 1 episode 6 sex education soundtrack movie#
The show ends with the two of them watching Marilyn's dance for the talent show, and Ed working on his movie on a computer, his writer's block finally gone. When the results come in, the tumor is found to be benign and, after a hug, Maggie tells Rick to get out, since he ran away before.Īt the Indian talent show that night, Joel tries asking Maggie about Rick but she is unresponsive.
Both of them are desperately trying to reassure themselves that everything will be okay, and that they will emerge from this hardship stronger than ever before. Maggie and Rick are in Joel's office, waiting for the results of the biopsy. Finally, Shelly tells Wayne to leave and, after an abject apology, decides to take Holling back. Joel tells Holling that he should have stuck by her. At Joel's office, Holling asks Joel's advice. The next day, Shelly and Wayne are dancing at the Brick to make Holling jealous, and Holling suddenly gets a crick in his neck. Shelly refuses but considers the option since Holling kicked her out. Wayne shows up to talk to Shelly, deciding to take her back. Maggie confides that Rick has left town, not on business, but out of fear of her. That night, Shelly is setting up a bed at Maggie's, and they talk about men. She stomps out and Holling is left in a wake of confusion. Shelly accepts this since she doesn't want a baby now that Holling isn't sure whether he loves her anymore. Later, Holling and Shelly are in Joel's office, and Joel tells them that Shelly is not actually pregnant. Meanwhile, Maggie is continually seeking reassurance and tries to convince Rick that there is nothing to worry about. Joel tries to reassure them that the odds are high that the growth is not malignant, but Rick is not very accepting. The next day, Rick and Maggie are in Joel's office getting advice on Rick's tumor. Shelly is hurt by this decision, but has no choice. Shelly tries to pass it off as no big deal, but Holling refuses to live in sin, and thinks that they should separate. Joel is a little confused at his paranoia, but agrees to remove the growth and have it analyzed.īack at The Brick, Holling is upset at finding out about Shelly's husband. He brings up the fact that all of Maggie's previous boyfriends have died, as a result of the "O'Connell curse". Joel finds a small growth on his chest, causing Rick to become extremely agitated. In Joel's office, Rick is being given a physical. Wayne responds that before he can marry Cindy, he has to divorce Shelly. Shelly is upset and asks why he needs her permission. He tells Shelly that he drove 600 miles to see her, and wants to marry Cindy, Shelly's best friend from back home. In Holling's bar, a young man shows up looking for Shelly. However, he soon finds that he has writer's block. While watching Maurice yell at Chris, he has a daydream of them in a scene from the film Indiana Jones and the Temple of Doom. Inspired by the visiting filmmakers from a previous episode, Ed is working on a movie idea.
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